Countdown!

Last month until 30min presentations are due. 

I just bought the pigments to make thermo-paint. Itll take about 3weeks. From the states. To Sydney. Crap. After some research, relying mostly on the accounts from these two lovely sites: softcircuit2 & artisticjunkie, I've purchased the "dust" from solarcolordust and need to go buy a Liquitex Slow-Dri Fluid Retarder Additive from my local-has-everything-ever-imagined-artshop North Shore Art. For the presentation i'll also need to get a heating pad to put behind the displays in-order for the designs to change. 

Inspiration:

Face 37 - September Poster 
"September is typically regarded as a month of transition in the Northern Hemisphere as the dying embers of Summer are replaced by the cooler and greyer chills of Autumn and the onset of early darkness. It is often associated with melancholic self-reflection as if heat and sunlight are a temporary physical and mental panacea. inspired by the physical reality of changing seasons and simple emblematic change of colour of falling leaves, I used thermochromic ink that alters colour dependent on room temperature."

You can purchase it here: face37

Another Example: Im not sure of the name, or who created the design but it can be found here: miafranceskennedy.

This is just damn great. Again, no idea who created it. Has nothing to do with thermoes but its could be applied.

Hydrochromic Things

Amy Winters, a British/Swiss artist made her first ready-to-wear printed collection where garments are able to change colour to sun and water. 

Another wearable by SquidLondon.

Entire rooms dedicated to water.

Open Brain Storming

After researching photochromic and thermochromatic paints and their uses I've been thinking about the final presentation...Not long now. And I want to present something other than printed materials. I came across these handmade wall decals on facebook a while back. Just a bit of corn starch or a pre-made stick and boom instant wall art or wallpaper.

pistachioproject, sewingforscarlett & curbly have some good tutorials. 

While I wouldnt be allowed to paint a wall at cofa, perhaps I could stick it on and peel it off.
Crazy walls crazy walls crazy walls

Photochromatic Stuff
The museum goudA redesigned their torture chamber using UV. Illustration - Jos Verwer, and Type - Trapped in Suburbia

Internal Philips Design Metamorphosis document. The bookcover uses photochromic and thermochromic ink. 

Calignosity by Andreas Pohancenik - UV Varnish and invisible UV ink screen print on ebony plike, A1

More Examples

Thermochromatic Projects!!!

Hug Prints, by Catherine Sarah Young, is a project about Hugging. She sought to investigate "our perception of touch". Her site: theperceptionalist

These were her results:

At the end of the session, I had two conclusions:

1. A responsive garment made people pay attention to the act of hugging in the sense that they had the feedback of the vest to observe after the hug. In normal circumstances, people would just hug and then carry on. Here I felt that they were aware of the vest’s thermochromism, and thus affected the pressure and duration of the hug.

2. Having a garment that responds to touch can make the person want to hug the wearer more. But it can also turn people away; I had an incident where the person refused to hug (I was a sad puppy), even though we’ve hugged on other, more informal, occasions. I suspect that if I kept doing this, I would encounter people who would not like the idea of calling out this particular interaction.

There are two directions in which I can take this project:

1. Investigate how this vest can affect specific relationships, such as parent and child, or husband and wife, etc.

2. Investigate how this can play out with strangers in public spaces.

In any case, I have a lot of hugging to do.

Jay Watson's "Just a Little Longer" (jaywatsondesign) is an oak table finished with thermochromatics. Simple and effective. And out of my price range.

Francine LeClercq has an exhibition using painted cells that react the environment and audience. 

Another project of hers, "No Picture Available [081122]"

Photochromic & Thermochromatics

So the last couple ideas were not working out. They were catering towards the tutors' specialties and not necessarily as a combination of my majors: Graphics Media and Environmental/Spatial Design. I wasn't however processing the feedback correctly, even if Richard's was "make it". 

Now. I've been looking at lights:

Anthony McCall, "Five Minutes of Pure Sculpture" & United Visual Artists, "Vanishing Points"

Other things:

Jody Xiong, "Green Sidewalk Campaign" & Adam Niklewicz, "The Charter Oak"

And Brad, in our thursday class, discussed going back to graphics in the environment using UV paint that reacts to blue light. Tunnel vision had set in and I hadn't analysed my process from an outside perspective. I had become to accustomed to Katherine Moline's graphics class, where sets of tables or the entire class would go round to each persons' work and give feedback. Now there are too many students per class, and not enough time to talk with tutors. That and my own tunnel vision. 

Now that all this has been understood, I am adjusting my thinking back to graphics-y things (so i can still use a bunch of research including info-graphics!). Photochromic inks change colour when exposed to ultraviolet light from the sun or a black light. Examples: 

Clothing: Printed shirt alters colour in the sun.

Health: "Sun Watch" changes colour and illustrate needs when exposed to the sun.

Structure: Christoph Klemmt's award winning Or2 Photochromic Canopy Structure.

Paper: Advertising for skin cancer.

Which then brought me to Thermochromatic Ink. Instead of light affecting the chemical structure, this relies on temperature.

Architerials has a great look at Thermochromatics and its use.

Film: 

Polyester:

Click on pics to go the links and information.

Blobs. Blubber. FLUBBER.

Ok. So i went and raided the internet, yes the whole internet, and after being distracted by rather stupid youtube videos I found something more visually similar to the amorphous form growing in my mind (and scrappily on paper....and partially on maya). These next images are happier forms of what I am going for. 


Made in 2009, this is a 45foot wall commissioned by the San Francisco Museum of Modern Art. It is part of a series P_Wall (started in 2006). It is "an evolution of the earlier work exploring the self-organisation of material under force." From design studio Matsys, established by Andrew Kudless in 2004.

How its done: plaster. Its a wall of plaster. They used lycra and dowel rods to get this undulating effect. Pretty interesting to listen to the artist.




Greg Lynn is the next guy who does cool stuff with FORM!

Yeah. He has been working on this stuff for years, and you can see why. I think the series started production...could be wrong. Probably wrong. From his site here: http://glform.com/ you can find his expansive array of works. The blobby walls are "an interior product designed for Panelite using a reinvented hollow plastic rotomolded brick that is custom cut by Computer Numerically Controlled robot arm, assembled and heat welded into freestanding walls and enclosures." 

Now you've got that image in your head, add random expansions, bigger orbs, pulsing light and/or vibration. And ignore the plastic. Think bean bags. Bean Bags. That is a better analogy than frogs eggs. Why didn't that occur to me earlier. 

And a last image to imprint into your brain...or heart.

BOOM! A ceramic heart light "Cuore Sacro"  (Sacred Heart) designed by Tania da Cruz (awesome name). Apparently it is inspired by the representation of the heart in Christian iconography.

You can find her site here: taniadacruz. Its a pretty cool site. 

Now, I'm off to do some sketching and computer modelling. Though, honestly, it probably isnt going to go very far tonight.

Happy Good Friday!