Recently I had a job interview with Enclosed, a packaging company in North Ryde. They requested that interviewees produce a 3D model, to prove their capabilities. So of course mental ray in autodesk maya decided to throw a hissy fit! But despite the resolution, I think it turned out fine to prove that I can 3D model.
Showing posts with label Technology. Show all posts
Showing posts with label Technology. Show all posts
Wednesday, 29 January 2014
Colgate. Yes the toothpaste.
Recently I had a job interview with Enclosed, a packaging company in North Ryde. They requested that interviewees produce a 3D model, to prove their capabilities. So of course mental ray in autodesk maya decided to throw a hissy fit! But despite the resolution, I think it turned out fine to prove that I can 3D model.
Friday, 29 November 2013
Smokos Without the Smoke
Perpetuum Mobile is a reason to get some fresh air. Developed by O+R the outdoor funnels facilitate smokers and non-smokers to share the air.
As an allergy-prone-belong-in-a-bubble type of person I am all for this. At the moment it is envisioned for Tokyo city, but if it wants to settle in Sydney, I'm all for it. More info at evolo.
Labels:
3D Modelling,
Architecture,
Concept,
Design,
Star-trekky,
Technology
Friday, 31 May 2013
Last Few Weeks
There are only a few weeks left until this project is finally over. There are a few developments, a few set backs and just general work needing to be done.
Here is some more stuff. I've been jumping back and forth for the final designs in thermo/acrylic paint. The categories i've narrowed the ideas into include: photo, abstract, metaphor, icon and pattern.
As the pigments of the thermo-dyes are powdered I went to the local art shop North Shore Art Supplies and bought a $30 bottle of clear medium to mix it. Hope it works well. As i still dont have the dye, and probably wont until the 13th, ive been working on how to display and make the prototype. The local $2shop is having a 40% off sale (YAY), so im going to run up to grab some large frames. On sunday im in the city helping a friend with prop design, so ill run up to Recycled Garbage too and find something great to print/paint on. Im having difficulty deciding what to print on as it needs to be heat proof and also be able to be touched repeatedly without getting ruined. So some solutions include:
- printed paper/board/card with a plastic overlay
- printed paper/board/card with a glass overlay (frame)
- printed plastic/glass
The heating element has been a bit of a head-scratcher. I was torn between using arduino to control it, but ended up ripping up an electric heating sheet. Which was not fun. Also - RE-USE!
This Sunbeam Electric Blanket was made in New Zealand with 100% Polyester. Its 250volts~1amp~100watts. The PVC plastic used in the wiring & control components is a polyvinyl chloride plastic which is used in everything from pipes, shower curtains, plastic outdoor furniture and childrens' toys. It can be recycled and re-used however it takes a crapload of time and effort to reduce it down and have it degrade. I did have to test is, as i didnt know if it still worked. It does. And heats up so damn quick.
The next couple things I need to do (start, end, middle):
- Designs & individual names
- Name the series
- Visual Identity
- Final product (life cycle analysis - materials & processes)
- Postcard type material to reflect important info for presentation
- Render vids/pics
- Timelapse vid (borrowing a friends' camera and expertise...bribe with candy)
- Possible shopping website
- Presentation visuals(pdf) & general speeching things
Labels:
COFA,
Design,
Energy Aware,
Illustrator,
InDesign,
Materials,
Photoshop,
Product,
Technology
Friday, 24 May 2013
Countdown!
Last month until 30min presentations are due.
I just bought the pigments to make thermo-paint. Itll take about 3weeks. From the states. To Sydney. Crap. After some research, relying mostly on the accounts from these two lovely sites: softcircuit2 & artisticjunkie, I've purchased the "dust" from solarcolordust and need to go buy a Liquitex Slow-Dri Fluid Retarder Additive from my local-has-everything-ever-imagined-artshop North Shore Art. For the presentation i'll also need to get a heating pad to put behind the displays in-order for the designs to change.
Inspiration:
Face 37 - September Poster
"September is typically regarded as a month of transition in the Northern Hemisphere as the dying embers of Summer are replaced by the cooler and greyer chills of Autumn and the onset of early darkness. It is often associated with melancholic self-reflection as if heat and sunlight are a temporary physical and mental panacea. inspired by the physical reality of changing seasons and simple emblematic change of colour of falling leaves, I used thermochromic ink that alters colour dependent on room temperature."
I just bought the pigments to make thermo-paint. Itll take about 3weeks. From the states. To Sydney. Crap. After some research, relying mostly on the accounts from these two lovely sites: softcircuit2 & artisticjunkie, I've purchased the "dust" from solarcolordust and need to go buy a Liquitex Slow-Dri Fluid Retarder Additive from my local-has-everything-ever-imagined-artshop North Shore Art. For the presentation i'll also need to get a heating pad to put behind the displays in-order for the designs to change.
Inspiration:
Face 37 - September Poster
"September is typically regarded as a month of transition in the Northern Hemisphere as the dying embers of Summer are replaced by the cooler and greyer chills of Autumn and the onset of early darkness. It is often associated with melancholic self-reflection as if heat and sunlight are a temporary physical and mental panacea. inspired by the physical reality of changing seasons and simple emblematic change of colour of falling leaves, I used thermochromic ink that alters colour dependent on room temperature."
You can purchase it here: face37
Another Example: Im not sure of the name, or who created the design but it can be found here: miafranceskennedy.
This is just damn great. Again, no idea who created it. Has nothing to do with thermoes but its could be applied.
Labels:
Design,
Film,
Graphics,
Info-design,
Ink,
Materials,
Technology,
Textiles,
User Interface
Monday, 13 May 2013
Experimenting
Experimenting with the idea of photochromic paints:
- how imagery appears with 'black' lights
- where to place it
When researching photochromic/thermochromic paints, I immediately thought of this:
Glow worm caves in New Zealand or indoor star gazing.
So now I have to figure out how to use the paints:
- what colours to use
- how to eg handmade painting or printed
- figure out how "blacks" can appear whilst in normal light can be invisible
- when presenting: use a large page or "peel off"
- when presenting: large black light or torches for interactive
- interested in thermochromic paint - added interactive elements however it changes the way "energy usage" develops or reveals the imagery.
Alicia Ingruber designed these posters about the Stitchbird in New Zealand. Its the kind of graphics works I like to do and appreciate the style.
Now I have to figure out the actual design and decide how parts of it will glow.
Labels:
Design,
Graphics,
Illustrator,
Info-design,
Space,
Star-trekky,
Technology,
Walls
Sunday, 12 May 2013
Hydrochromic Things
Amy Winters, a British/Swiss artist made her first ready-to-wear printed collection where garments are able to change colour to sun and water.
Another wearable by SquidLondon.
Another wearable by SquidLondon.
Entire rooms dedicated to water.
Labels:
Design,
Ink,
Technology,
Textiles,
User Interface,
Walls
Advertising and Movie-making
Coopers "Light After Dark" campaign launched a "handcrafted" luminous UV painted billboard.
Another great use of the glowy paint was in the construction and design of Lord of the Rings' scale models of Minas Morgul.Saturday, 11 May 2013
Open Brain Storming
After researching photochromic and thermochromatic paints and their uses I've been thinking about the final presentation...Not long now. And I want to present something other than printed materials. I came across these handmade wall decals on facebook a while back. Just a bit of corn starch or a pre-made stick and boom instant wall art or wallpaper.
pistachioproject, sewingforscarlett & curbly have some good tutorials.
While I wouldnt be allowed to paint a wall at cofa, perhaps I could stick it on and peel it off.
Crazy walls crazy walls crazy walls
Photochromatic Stuff
The museum goudA redesigned their torture chamber using UV. Illustration - Jos Verwer, and Type - Trapped in Suburbia
pistachioproject, sewingforscarlett & curbly have some good tutorials.
While I wouldnt be allowed to paint a wall at cofa, perhaps I could stick it on and peel it off.
Crazy walls crazy walls crazy walls
The museum goudA redesigned their torture chamber using UV. Illustration - Jos Verwer, and Type - Trapped in Suburbia
Internal Philips Design Metamorphosis document. The bookcover uses photochromic and thermochromic ink.
Calignosity by Andreas Pohancenik - UV Varnish and invisible UV ink screen print on ebony plike, A1
Labels:
Concept,
Design,
Illustrator,
InDesign,
Info-design,
Ink,
Product,
Technology,
Textiles,
User Interface,
Walls
More Examples
Thermochromatic Projects!!!
Hug Prints, by Catherine Sarah Young, is a project about Hugging. She sought to investigate "our perception of touch". Her site: theperceptionalist
These were her results:
Jay Watson's "Just a Little Longer" (jaywatsondesign) is an oak table finished with thermochromatics. Simple and effective. And out of my price range.
Francine LeClercq has an exhibition using painted cells that react the environment and audience.
Another project of hers, "No Picture Available [081122]"
Hug Prints, by Catherine Sarah Young, is a project about Hugging. She sought to investigate "our perception of touch". Her site: theperceptionalist
These were her results:
At the end of the session, I had two conclusions:
1. A responsive garment made people pay attention to the act of hugging in the sense that they had the feedback of the vest to observe after the hug. In normal circumstances, people would just hug and then carry on. Here I felt that they were aware of the vest’s thermochromism, and thus affected the pressure and duration of the hug.
2. Having a garment that responds to touch can make the person want to hug the wearer more. But it can also turn people away; I had an incident where the person refused to hug (I was a sad puppy), even though we’ve hugged on other, more informal, occasions. I suspect that if I kept doing this, I would encounter people who would not like the idea of calling out this particular interaction.
There are two directions in which I can take this project:
1. Investigate how this vest can affect specific relationships, such as parent and child, or husband and wife, etc.
2. Investigate how this can play out with strangers in public spaces.
In any case, I have a lot of hugging to do.
Jay Watson's "Just a Little Longer" (jaywatsondesign) is an oak table finished with thermochromatics. Simple and effective. And out of my price range.
Francine LeClercq has an exhibition using painted cells that react the environment and audience.
Another project of hers, "No Picture Available [081122]"
Photochromic & Thermochromatics
So the last couple ideas were not working out. They were catering towards the tutors' specialties and not necessarily as a combination of my majors: Graphics Media and Environmental/Spatial Design. I wasn't however processing the feedback correctly, even if Richard's was "make it".
Now. I've been looking at lights:
Anthony McCall, "Five Minutes of Pure Sculpture" & United Visual Artists, "Vanishing Points"
Other things:
Jody Xiong, "Green Sidewalk Campaign" & Adam Niklewicz, "The Charter Oak"
And Brad, in our thursday class, discussed going back to graphics in the environment using UV paint that reacts to blue light. Tunnel vision had set in and I hadn't analysed my process from an outside perspective. I had become to accustomed to Katherine Moline's graphics class, where sets of tables or the entire class would go round to each persons' work and give feedback. Now there are too many students per class, and not enough time to talk with tutors. That and my own tunnel vision.
Now that all this has been understood, I am adjusting my thinking back to graphics-y things (so i can still use a bunch of research including info-graphics!). Photochromic inks change colour when exposed to ultraviolet light from the sun or a black light. Examples:
Clothing: Printed shirt alters colour in the sun.
Health: "Sun Watch" changes colour and illustrate needs when exposed to the sun.
Structure: Christoph Klemmt's award winning Or2 Photochromic Canopy Structure.
Paper: Advertising for skin cancer.
Which then brought me to Thermochromatic Ink. Instead of light affecting the chemical structure, this relies on temperature.
Architerials has a great look at Thermochromatics and its use.
Film:
Polyester:
Click on pics to go the links and information.
Labels:
Concept,
Design,
Info-design,
Materials,
Rant,
Technology,
Textiles,
User Interface,
Walls
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